Van Gogh at the Royal Academy

I am seeking

I am strong

I am in it with all my heart

--Vincent van Gogh

One can really feel that passionate soul at the current van Gogh exhibition at the Royal Academy in London. It is called "The Real Van Gogh: The artist and his letters" and traces his development as an artist through displays of his letters to his brother Theo, sketches, and finished paintings.

It struck me that the letters, with their sketches in the margins, were rather like modern day blog posts. Van Gogh was trying to share his studio work with his brother, but couldn't take photographs (or send emails) so he posted his musings and sketches in the mail.

Every artist feels very alone in the studio (I know I sometimes do). Sharing things online and receiving comments and encouraging words helps to fill the void.

If you have a chance, take a trip to the Royal Academy. You will leave absolutely inspired. If you don't live anywhere near London, go to your local library and pick up a book about Van Gogh. The best is to get a compilation of his letters (this is often available via inter library loan). Or, better yet, go to this WEBSITE which has all 902 letters online! For each letter that includes a sketch you can click on a little link called "sketch" and it will show you a zoomable image of the letter. They are so fascinating, and well worth browsing for a little inspiration.

Watercolor Wedding Portrait in York Minster

Last week Mom and I went to York to see the pre-Christmas decorations, drink mulled wine and tour York Minster, which is the largest Gothic cathedral in northern Europe. It also has the greatest concentration of preserved medieval stained glass in any cathedral in Britain. While Mom and I were gawking at the beauty surrounding us, we noticed a bride walk into the transept on the arm of her father. An organ voluntary played, and they processed down the aisle. A wedding was about to start in York Minster.

Seeing the bride, overwhelmed with happiness and emotion, in such a grand setting inspired me to paint a picture of the moment. There is no way I could ever capture the intricate detail of the minster architecture in a small watercolor (it is 5 inches by 7 inches), so I left that out and focused on creating the feeling of space by leaving the page blank. Here you see the bride and her father processing behind a minster official.

 

Here are a few photos from our weekend in York....

The Shambles is one of Britain's best preserved medieval streets

York Castle

Art and Nature

I just received my copy of Art and Nature: Studies in Medieval Art and Architecture, published by the Courtauld Institute of Art through their "Immediations" imprint. It was edited by my good friend Laura Cleaver, and I was commissioned to do three illustrations of medieval architecture and architectural elements.

This cathedral plan is from Nicosia Cathedral on Cyprus.

These reconstructions of wall-paintings and architectural elements are from Ourscamp Abbey and Noyon Cathedral in France.

I had great fun working on the projects with Michalis Olympios and Géraldine Victoir.

Dealing with Migraine Pain

I suffer from occasional debilitating migraines and this week was no exception. I was flattened, rather like the Lady Cottington's pressed fairies. I spent days and days in a darkened room until I was given a wonderful new migraine painkiller called Maxalt. It dissolves on the tongue and the piercing pain is eradicated almost immediatly. I popped back into shape, rather like cartoon characters after they've been steamrolled.

Now I'm back to the drawing board and excited to start new projects. I have lots of exciting ideas!

My Visiting Artist Lecture at the University of Manitoba School of Art

Poster courtesy of Kirk Warren

I was invited by the University of Manitoba School of Art to do an evening lecture on illustrating children's picture books. Life came full circle - I studied art history at the school of art, and now I was lecturing there as an 'authority figure' to the students. It felt like a homecoming.

The painting studios at the School of Art are housed in an old barn that was once used to house livestock for the agriculture department. When the agriculture department had outgrown the building, the School of Art re-purposed it for studios. The vaulted space in the roof is amazingly light, airy and inspiring - the perfect place to learn to paint. The student lounge had cool mural painted on the wall. One wall said [SM]ART FARM, which of course makes sense because of the barn.

The room was packed with people. I had expected maybe one or two intrepid artists to show up, and I would have a little "fireside chat" with them around my computer and portfolio. It was not that intimate, in fact, they even had to fetch extra chairs !

Thank-you to everyone who came and asked questions. It was a pleasure!

Magic at the Museum is a bestseller for two weeks in a row

This morning I picked up a coffee in Caribou Coffee, which generously offers free wifi, and read a delightful email notifying me that "Magic at the Museum" has now reached the number 2 spot in Winnipeg for the second week in a row. I hadn't expected to make it back on the list, and it was even more surprising that I maintained my standing from the previous week. Thank-you Winnipeg!

In 2007 I was in despair over whether or not my book would ever be published. A very empathetic friend cut the Winnipeg bestseller list out of the Sunday Free Press and added the working title of my book, "Anne's birthday surprise", to the number one spot. I don't know if I'll be able to reach the top and jockey "Where the Wild Things Are" out of the starting position, but it doesn't really matter. The fact that I've made it to number two after several bitter disappointments proves the power of positive thinking.

And, I just had to take a picture of the wonderful bestseller display in McNally Robinson Grant Park, with "Magic at the Museum" front and centre.

Magic at the Museum is a Winnipeg Bestseller!

After the success of the book launch last night "Magic at the Museum" made it to the #2 spot on the Winnipeg Bestseller list for the week of 6 Sept 2009. It even muscled its way past Sendak's classic "Where the Wild Things Are."

Make sure you buy your copy of the Winnipeg Free Press on Sunday where the list will be published for all to see!

I want to send out a heartfelt thank-you to everyone who bought my book.

Magic at the Museum book launch at McNally Robinson Booksellers

Six years ago I attended the launch of "I gave my Mom a castle", written by Jean Little and illustrated by Kady MacDonald Denton. I sat in the Prairie Ink restaurant at the McNally Robinson Grant Park and resolved that I would some day do the very same thing: host a book launch at my favourite bookstore in the world.

Six years of hard work, inspiration, desperation and tears resulted in fulfilling my dream.

Last night I hosted a magical book launch for "Magic at the Museum" at McNally Robinson. It was very well attended (better than I expected) and everyone was delightfully enthusiastic and encouraging. I read from my book, and then displayed a few original sketches and illustrated spreads from the book.

The reception I received confirmed for me that I am definitely following the right path. The path to publishing success can be fraught with difficulty, disappointment, and despair. Sometimes a light shines through the clouds and it's in those moments you know that it's worth all the stress and hard work

.

Reading at the Mennonite Heritage Village

Yesterday I did a reading of "Magic at the Museum" at the Fall on the Farm festival at the Mennonite Heritage Village in Steinbach, Manitoba (Canada). It is the best museum in my home town. :-) I read my book to the admiring audience, and then answered some questions about how I did the watercolours and wrote the story.

It was great fun to be at such a huge community event and meet lots of people from my childhood. I even got a short visit from Mr. Martens, my grade 8 home room teacher. He hasn't changed a bit!

I did a little pen and ink sketch of the wonderful windmill. The town has largely dutch-german heritage, and we built wonderful windmills to grind the prairie wheat into flour for the best bread in the world. I'll post a scan of the sketch shortly, but for the moment, to keep your curiosity sated, I will post a photograph...

Our Stall in Spitalfields Market

Yesterday I organized a market stall in Spitalfield's Market, near Liverpool Street Station. A market has been operating in that area since 1638, when King Charles I granted a license for vegetables and meat to be sold in that area. In the 20th century the area became a haven for artists, and many now-famous artists and designers began their retail careers in the market.

This is what we at "Playroom Collective" hoped to achieve by organizing a market stall in the prestigious market. But, however glamorous it might seem to have a stall in Spitalfields, it certainly very hard work, for very small returns.

It seems that the economic downturn has hit craft and antique markets. In the past a recession usually boosted the trade of markets such as Spitalfields because consumers were opting to buy locally (and usually cheaper), rather than spending their money in the high street stores.

However, the most recent recession has hit particularly hard, and this might be due to a change in how people buy products. Now, many people would rather look for their bargains online, either buy searching ebay, amazon, and other large e-retailers, in addition to looking on publicly run sites like gumtree and craigslist.

I talked to many of the vendors at the market yesterday, and most expressed concerned opinions about how hard it is to break even on any given day of trading. The price for a stall on Friday is a mere £15; as a group we Camberwell artists sold only £13 worth of goods (that's RRP, not cost price, so no profit was made...). We did not break even, as a group, but it was a valuable exercise in retail management, so definitely worth the expense.

The vendors mentioned that trade usually picked up from September to Christmas.

The people I spoke to said that their presence in the market was a publicity and "marketing" effort. When customers saw them consistently (every friday, for example), they would be more likely to call or email them on other days to place orders or ask questions. If you are prepared to occasionally make a loss, then having a stall at Spitalfields might be the right thing to boost your business into the public eye.

Cloth

Another thing to consider is the set-up cost of the stall. I arrived with a white table-cloth, but hadn't realized that one really needed a "modesty" cloth for the front of the table, as well as a backdrop. I was lucky, and my neighbour lent me some black cloth to dress the stall.

Signage and Branding

I printed several signs on A4 paper that advertised "Playroom Collective." These were sufficient for the first attempt at a stall, but in the future one would want a larger and more catchy banner or sign. You need something that will tempt punters to browse your goods.

Chairs

Marketer beware: Spitalfields does not provide chairs for the vendors. I spent the entirety of the day sitting on an upturned carry-on case, which was (needless to say) rather uncomfortable and frequently precarious.

For a full list of other things to consider when operating a market stall click

HERE.

Don't worry. Everything is going to be amazing.

It was one of those days when I woke up and wished I could go straight back to bed. Working as a freelance illustrator means that my days are largely self-motivated. If I don't get something done, I'm the only person I have to answer to (aside from the occasional deadline). And... speaking of deadlines, I love them, because then it means that I'm needed! But this also means that I am often too hard to myself. I probably speak more harshly to myself, and more critically, than any manager, editor or boss would. Sometimes I need to remind myself to enjoy the moment, and remember that I'm doing what I love.

So, I went for a walk in the (almost) rain to clear my head and attempt some ambulatory encouragement. Low and behold, the universe sent me the sign I needed. At the corner of Westbourne Grove and Chepstow Villas in Notting Hill I saw a shop window whose sign read, "Don't worry. Everything is going to be amazing."

I suppose I have to take the universe at its word, and believe that it is true. Wasn't it Deepak Chopra who said, "...pay attention: nothing is random, your life is full of signs and symbols."

I haven't posted much artwork lately, mostly because my current illustrations are of the boring variety (more Roman pottery, anyone?). However, I have been turning a little bit of spare time to working on one of my book dummy ideas. I had shelved the sketches for "One, Two, Buckle my Shoe" several months ago because I couldn't see where they should go. But, now I have a little more clarity.

And remember. DON'T WORRY: Everything is going to be amazing!

Drawing like Picasso

On Friday I went to the Picasso exhibition at the National Gallery in London. The premise of the exhibition was looking at how Picasso used his knowledge of art history and old master paintings as subject matter for his cubist style. Being an art historian myself, I enjoyed following the clues and finding stylistic and thematic links between the Picassos and the 'old masters.'

And, being an art student, I also enjoyed standing around in the crowds of people admiring the paintings (making a nuisance of myself, I'm sure) in the vain attempt to understand cubist style. I can see the logic behind Picasso's finished drawings, but it entirely escapes me how he arrived at that point. What is the internal logic of cubist drawing? It must be: draw every angle and every plane of the object at once, as if they were all facing forwards.

The top two sketches are from Picasso paintings. Then, I became emboldened, and I tried to sketch a woman in the gallery in Picasso style. I'm not sure I succeeded. I think she still looks too 'normal'.

What do you think? Do you have any tricks to draw "cubically"?

A week of luxury in Ibiza

I spent a week in a private villa on the mediterranean island of Ibiza. It was a bit of a guilty pleasure, as I don't have much time left before my final show. However, family friends offered us the use of their serviced mansion on a private cove, and we couldn't refuse.

To appease the conscience, I brought my sketchbooks and did a little scribbling in between trips to the beach and whisky-and-sodas on the terrace.

Canary Wharf

M's parents have come for a visit from South Africa, and we took them to see Canary Wharf this morning. It was fun to show them the hustle of bustle of pin-striped men rushing around the futuristic development laced with bridges and canals.

I did this little ink and pencil crayon sketch in my Fabriano Artist's Journal. It measures 2 inches across at the most.

I have a disproportionate pride for the fact that the names of the squares in Canary Wharf are "Canada Square" and "Cabot Square". I somehow associate this with a Canadian connection, either in urban design or investment. Can anyone enlighten me as to why there seems to be such a linguistic connection with my home country?

Manitoba Book Awards Results

The results from the Manitoba Book Awards ceremony are in!

Magic at the Museum was short-listed for the "best illustrated" award, but did not win. The winner in the category was "The Harry Winrob Collection of Inuit Sculpture" published by the Winnipeg Art Gallery. The Winnipeg Art Gallery has won the "best illustrated" award three years in a row, and this year was no exception.

The "best illustrated" category was for all genres of books: fiction, non-fiction, children's, and poetry. "Magic at the Museum" was the only children's book short-listed for this category, which means that it was the best illustrated children's book in Manitoba! The other three nominees for "best illustrated" were poetry and non-fiction. That makes me feel like a winner, even if I didn't get the final prize.

In addition, it was humbling to sit in an auditorium filled with Western Canada's writing and publishing royalty: Miriam Toews, David Bergen, and all the major Canadian publishers. To have my name and my book mentioned in the same breath as theirs made me feel like I'd stepped into a dream.

The jury's comments about "Magic at the Museum" were:

"The watercolour technique suits this children's book. This technique creates a playful, dream-like mood which is both mysterious and magical. The illustrations and the wonderful use of colour really bring this book's characters to life."

I think they understood the mood and intention of the book perfectly, which is satisfying.

 

A morning in House Cafe

This morning I travelled to Camberwell College earlier than usual with the intention of spending some time in the library before our lecture. As Murphy's Law would dictate, the library was closed for the morning, so I spent my time in House Cafe doodling and chatting with my classmates.

In the cafe, we students brewed over our recent mid-year evaluations. Most of us were highly confused, both by the feedback we received and the form on which it was written. What did all those ticky-boxes mean? Why did the grades indicated in aforementioned ticky-boxes not correspond to the final percentage received?

After much thought and conversation, we decided that we had to make artwork that pleased us personally. I have received such conflicting advice about my artistic style, my painting, my use of colours (etc) from the various tutors that my head is starting to spin.

The most important thing is to produce artwork that fills your heart with joy: something you are really proud of. If you think it has value, then other people will naturally value it because you have distilled a portion of your spirit.

Incidentally, most of us spend as much time drawing in House as talking.

The Perfect Sidecar Cocktail

M and I have been experimenting with cocktails recently. I bought him a beautiful chrome coloured cocktail shaker last year for his birthday, and it has taken us almost a year to remove it from its package. In a moment of gusto, we vowed to try a new cocktail every weekend, collate our favourites, and make our own recipe book. Naturally, I will do all the illustrations and M, being a culinary master, will do the drink mixing and inventing.

Thus far, the sidecar has been my absolute favourite cocktail. It has a sweet citrus flavour, mellowed by the frothy, sour tanginess of the egg whites and lime.

Legend has it that this particular cocktail was invented by Harry and Harry's Bar in Paris, and he named it after the WWI captain who arrived at the bar in style every evening in a chauffeur-driven motorcycle and sidecar. The illustration I did was of M and me driving recklessly in our motorcycle and sidecar.

Perhaps another reason I love this drink is because my uncle P, from Quebec, used to have (or still has) a fabulous WWII motorcycle complete with sidecar. He used to take me on rides through the beautiful Gatineau hills. The landscape takes on new proportions when riding in a sidecar!

And without further adieu, here is our recipe for the

Sidecar.

...

1 1/2 shots Remy Martin Cognac

1/2 to 3/4 shot Cointreau (to taste, more makes it sweeter)

1 shot lime juice (less for a sweeter drink)

1 tsp powdered sugar (or caster sugar)

1/2 egg white

Cracked ice

Granulated sugar and lime wedge for glass.

FIRST:

Prepare a sugar crusted rim on the cocktail glass. Pour a generous amount of granulated sugar into a small plate. Cut a slice of lime. Hold the glass upside down (so excess juice doesn't run down the glass). Wet the top of the outside rim of the glass (never the inside). Place the cup, upside down, in the sugar-plate and swivel until sugar adheres to the glass. Set aside and (preferably) chill in the freezer.

SECOND:

Pour ingredients into a cocktail shaker.

Imagine you're in 1920s Paris. Shake with style....

Strain into the prepared glass and garnish with an orange or lime peel.

Archaeology in Tunisia

The Dig In Leptiminus: Lamta

The museum in Lamta, where I did my work

The view from my desk

My Desk: Drawing pottery reconstructions

Back at the dig  house, photographing pottery

Fishermen on the Med

The view from the dig house

Drying our laundry in the Mediterranean breeze

Staying cool in the shade of the dig house

Ribat: Lamta

Monastir and Sfax, El Jem and Surrounds

The amphitheatre in El Jem is larger and better preserved 

than the coliseum in Rome

City walls of Sfax

Ribat in Monastir

Swimming in the Mediterranean

Tunis and Sidi Bou Said

Tunis Mosque

Tunis: the arch connecting the old city (Medina) with the new

Tunis: in the Medina 

Markets in Tunis

Tunis looks like an African version of Paris

The blue doors in Sidi Bou Said

Sidi Bou Said tumbles into the sea

Tunisia is one of my favourite countries in the world